Eric’s 12 Days of Anime #6: Fate/Please Stay Good

For the longest time, Type-Moon was a mystery to me. I would hear fans talk about Fate/Stay Night, a lady King Arthur, and some other in-jokes I would not get at all until recently. The problem with Type-Moon is that to an outsider, its material was daunting. The works of Kinoko Nasu form a weird universe of different stories akin to Marvel comics, and the fandom is very similar to comic book fans. Obsessed with worldbuilding, sequels and spin-offs, and eager to explain every banal detail of their fan knowledge, I was never too keen on experiencing anything from Type-Moon’s catalog. That is until Fate/Zero got an anime adaptation a few years ago, and the world of the Fate franchise was opened to me. It was the rare prequel that was good and could be appreciated by established fans and newcomers alike. I’m still obsessed with the characters Rider and Waver, who made for an adorable odd couple with Rider’s unwavering dream of conquest and Waver’s journey of self-discovery.

Given that Fate/Zero was a success, it was inevitable that another Fate anime would be made, and of course it would be Fate/Stay Night, the original story that Fate/Zero was created to lead into. Yet I dreaded this adaptation. Having experienced the visual novel earlier this year thanks to a stream some of my friends hosted, I thought the show was going to suck, because honestly the visual novel sucks. Bad prose, terrible inner monologues, toxic misogyny, and terrible pacing made the visual novel unbearable. It was clear to me that Gen Urobuchi, who wrote Fate/Zero, was a much better writer than Kinoko Nasu. Nasu’s universe of Holy Grail Wars and Heroic Spirits is a neat concept, but he was not the best choice to execute those ideas, and certainly not in visual novel form. Fate/Stay Night isn’t even very good at being a visual novel, with there being very few player choices and only three different routes. Wouldn’t it be cooler if there was a different route where a different master wins every time? Wouldn’t it be better if there weren’t any terrible comedy vignettes based around Fujimura?

Rin SAY WHAT

Turns out ufotable knows how to turn shit into gold, as so far Fate/Stay Night: Unlimited Blade Works has been one of the best anime I’ve seen this year. The story hasn’t been significantly altered, but the change in format and the changes to the plot have fixed the story. The biggest issue, Shirou, has been fixed. In the VN, he was an insufferable protagonist because the player is forced to read through his redundant inner monologues about every single detail in any given scene. Worse, he framed everything in gender-essentialist terms, reducing all the women in the cast to their gender and telling King Arthur herself that she should be more feminine. None of Shirou’s sexism is in the anime, and he is immensely more likable for it. The anime also benefits from having gorgeously animated fight scenes in place of the VN’s hilariously cheap flashes of light.

I’ve grown more attached to the story of Fate/Stay Night than I expected to. I’m currently playing through the visual novel just so I can more thoroughly compare it with the anime, and everything the VN does, the anime does better. However, I continue to be nervous about some upcoming events in the anime. In the VN, there’s scene involving Saber, dresses, and sexual torture and I really do not like it. They’ve avoided the sexism of the VN by removing unnecessary dialogue, but some scenes in the VN are inherently sexist for the actions committed by certain characters not named Shirou.

I have faith in ufotable though, and I’m actively rooting for Fate/Stay Night to remain good. I think I may be a Fate fan now. Right now I’m planning to check out the Garden of Sinners movies, based on light novels written by Nasu, and there’s a cornucopia of Fate spin-offs that have not been adapted into anime that I’d like to see in that format. I’m not so blinded by fandom that I’m willing to try the magical girl spin-off or overlook how problematic Nasu’s writing is, but he’s created an interesting universe with some cool ideas that I’d love to see explored. I can’t help but love the idea of Alexander the Great and other historical and mythological figures duking it out for the Holy Grail. Urobuchi was able to use his talented voice to turn those ideas into gold. If other writers, like the ones at ufotable, can do the same, I’ll be sure to check out more Fate for awhile.

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